{"id":2918,"date":"2023-11-14T20:06:23","date_gmt":"2023-11-14T20:06:23","guid":{"rendered":"https:\/\/laotraorilla.net\/?post_type=creation&p=2918"},"modified":"2024-11-19T14:20:18","modified_gmt":"2024-11-19T14:20:18","slug":"debordements","status":"publish","type":"creation","link":"https:\/\/laotraorilla.net\/en\/creation\/debordements\/","title":{"rendered":"DEBORDEMENTS"},"content":{"rendered":"\t\t
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DEBORDEMENTS<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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November 6 to 16 at 8:15pm
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Montreal premiere of La Otra Orilla's new creation at Ateliers Belleville
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\u00ab<\/span><\/em>\u00a0<\/span>Our life is a journey in winter and night.\u00a0
We seek our passage.<\/span>\u00a0\u00bb*<\/span><\/u><\/u><\/p>

\u00a0<\/span><\/em><\/p>

The heretic’s way\u00a0<\/span><\/em><\/u><\/u><\/p>

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Flamenco punk mash, DEBORDEMENTS by La Otra Orilla is a manifesto of physical and ethical verticality.<\/span><\/u><\/u><\/p>

Rooted in a scream, accompanied by Guy Debord\u2019s words, this performance rises in the intensity of a physical and sonic surge without limit, nor restraint. Overflowing, resisting, standing up to the repeated assaults of forces that command complete obedience of flesh, mind and soul.<\/u><\/u><\/span><\/p>

Three protagonists like emancipated ewes stray into the exhilarating light of the bypaths, stating loud and clear their sovereign right never to join the herd.<\/u><\/u><\/span><\/p>

* From the film\u00a0Sur le passage de quelques personnes \u00e0 travers une assez courte unit\u00e9 de temps<\/em>, by Guy Debord, 1959.<\/h6>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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On stage<\/strong> Myriam Allard, Hedi Graja, Jonathan Parant
Choreography<\/strong>\u00a0Myriam Allard
Direction and scenography<\/strong>\u00a0Hedi Graja
Music<\/strong>\u00a0Jonathan Parant
Lights<\/strong> \u00c9tienne Boucher
Assistant-programming<\/strong> Bruno Moranville
Costumes<\/strong> Elen Ewing
Assistant-costumes<\/strong> Fany McCrae
Rehearsal Director<\/strong> H\u00e9l\u00e8ne Messier
Stage Manager<\/strong> Jacinthe Nepveu
Technical Manager<\/strong>\u00a0Clara Desautels
Artistic collaborator<\/strong> Juan Carlos L\u00e9rida
Texts<\/strong> Guy Debord, Commentaires sur la Soci\u00e9t\u00e9 du Spectacle<\/em>, 1988<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Salle Pauline-Julien<\/strong> (Sainte-Genevi\u00e8ve, Canada) | Quai 5160<\/strong> (Montreal, Canada) | La Fabrica Flamenca<\/strong> (Toulouse, France)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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WORDS FROM THE ARTISTIC CO-DIRECTORS<\/strong><\/p>

Refuse diktats. To claim the freedom to think, the freedom of movement, the right to exist differently. To deconstruct, to question, to blur the contexts to then see what emanates. To seek the fall, to find the rise, to listen to the impulse.<\/p>

We are thirsty for dialogue and the premise of this new creation emerges at the crossroads of the language of flamenco and punk, where the instinctive and a form of counterculture are the essence.<\/p>

Flamenco is a total art. Raw. Visceral. It is an art of expenditure and excess. It brings us back to the present moment; to the here and now. It is a deep and powerful art. \u201cAn attitude towards life and an individual and collective exercise of resistance. It is necessary, universal and timeless.<\/p>

At the same time, there is something primitive about the punk philosophy. The punk is not purified, it is raw. It hijacks the codes, refuses the establishment, plays with derision and any ostentatious demonstration of virtuosity is superfluous. Both forms reach engaged, active audiences, who react with their voice or their body to what happens on stage (think of the jaleo or the pogo).<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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SOUND RESEARCH<\/strong><\/p>

Punk music, flamenco and the languages of our grandmothers are integrated into a tonal and spatial research, sometimes illuminating, sometimes obscuring the alterations of the voice and the body magnified, thanks to an architecture of microphones and artificial bases manipulated in real time. Interactive micro-scenes with sound sensors amplify and transform the dance steps. With each step, the ground
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Tour
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